This is an old Celtic folk song that has meant a lot to me over the years.It really gets to the core of what life’s all about in my opinion. ♥️
Wild Mountain Thyme 🎶
🛷 pictures taken by Beto Ruiz Alonso whom I wish to see one day on Orb/Lens. If you do too, I’ll pay for his coffee if these get collected ;)
I’m thrilled to see you liked it and made it yours @nilesh
Good morning Lens ☀️it’s new music fridayyyyy 🎧✨🧃
from my 🫀to youu! I started writing this song almost a year ago, and I finally decided to finish it and release it 🪽
Writen and performed by me, and co-produced by Mic Ruiz
Since the song is in Spanish, I attached the translated lyrics in the comments below 👇🏼🫶🏼
" RARITY "
The concept of rarity in art has always been fascinating, and it holds particular significance when considering the very nature of artistic works. Traditionally, a piece of art is often perceived as something unique, a singular piece that embodies the creative expression and individuality of its creator. This is particularly evident in the fields of painting and sculpture, where each work is generally regarded as an original and irreplaceable creation.
However, this perception of uniqueness is starting to be questioned as we explore other forms of artistic expression, such as photography, video, music, and digital art. In these domains, the reproduction and distribution of works can be infinitely easy due to technological advancements. For example, photography allows for the production of multiple copies of the same image, while music can be easily duplicated and distributed on a large scale through online streaming and downloading platforms.
This ease of reproduction challenges the traditional notion of rarity in art. If a work can be easily mass-produced, what value should be attributed to it in terms of rarity and uniqueness? This is a complex question that sparks passionate debates in the contemporary art world.
The emergence of Non-Fungible Tokens (NFTs) has further amplified this discussion. NFTs enable the creation of unique and tamper-proof digital certificates for digital artworks, thereby offering the possibility of attributing a form of rarity and authentic ownership to digital creations. However, even with NFTs, some wonder if the rarity thus created truly compares to that of traditional artworks, given the intangible and reproducible nature of digital media.
The idea of limiting the number of editions of my future digital creations to a maximum of 3 seems to be a thoughtful consideration for preserving rarity and artistic value.
By imposing such a strict limit, I am committed to maintaining a certain level of exclusivity in my work, in my opinion.
I would greatly appreciate your thoughts on the matter, friends. 🙏🫶
Please share your comments below.
