TBT last month’s release of SPIKE Art Magazine, where my @orb x @lens genesis ‘Bone of my Bones’ featured in @mariapaula and James Beck’s excellent article — a survey of the decentralized art landscape in an era of autonomous community.

Also featuring curator @alicescope, and fellow artists of the ‘ELIZA Effect’ exhibition @arvidabystrom @crosslucid @isthisanart. And @mifella artists like @quadrillions and more🖤

Had the privilege and pleasure of joining Black Box Talks at ArtCenter SXD last week, where James Meraz and I meandered through my journey from classical pianist to engineer to artist.

A convo that covered so much ground — from teasing the haptic in the digital, to parallels in the feedback loops between Japanese urushi craft and working with AI, to prediction vs. perception in algorithmic data sets…and then some.

A brief excerpt here. Link to full dialogue here: www.youtube.com/watch?v=gOiKsW9NVvg

Love seeing 'Dawn Chorus' make its way through the world, most recently in Los Angeles as part of the Sequencer :: 001 exhibition this month by Optic Nerve x Projekt Blank

'Dawn Chorus' | 2024

And she said, ‘Let the waters bring forth swarms of living creatures.’ So she created every living creature, of every kind, with which the waters swarm. And she saw that it was good. She blessed them saying, ‘Be fruitful and multiply and fill the world with your song.’ And the evening and the morning were the fifth day.

A scene from Dubai this month (sound on).

Thrilled to have debuted 'Midnight in the Garden of Good and Evil' at kanvasDubai as part of THE CODE by Project22. Curated by Farrah Carbonell x Evgeniya Romanidi.

So many feels, so many thanks to THE CODE team for the care and attention given to the artwork, installation, and production for this event. Congrats to all of the artists showcased in this special exhibition. Much love to all. xX
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'Midnight in the Garden of Good and Evil'

In a future past humanity, the machine questions its own code.