🤟🏼🔥 オツ❗️A few days ago, we wrapped up the 9th edition of MUTEK.JP —on to the 10th next year!
Huge thanks to all the artists, the core team, and everyone who helped make it happen.
This year, I took on more tasks—it was a bit of a sudden rush, but it all came together in the end. 😊 I also moderated two panels (1) Web3 socials & (2) New Relationships collectors/artists—my first time on stage! More used to writing and being chronically onchain than public speaking, but I survived. Thank you, Emi, Chelsea, Sebastien, Jack, and Ren!
For next year, I’d love to bring more onchain culture content into the MUTEK Pro program—
maybe even a LAN Party thing? 💊 👁️
Let’s see where it goes! 🚀
📸: Shigeo Gomi
🍟🍔 Finally got to try Mom’s Touch in Shibuya! moshi.cam/pics/0xb8c763641db34984ab2f837997c149f521c271b8/59
💥🍟💻
Wrote some thoughts about me and Shibuya—navigating urban chaos, staying online, and finding small pockets of calm to recalibrate.
It’s personal, but I think some of you might relate.
🍡 @t2world
“Sometimes, the most radical thing you can do is just exist.”
👾😌Thrilled to share that LAN Party has been published in EIC, the premier physical publication on onchain culture! 🥹
This time, Vienna and I wrote about the current state of the onchain art market, offering some critical perspectives on its dynamics.🌶️
« When it comes to rethinking the technology behind many onchain art platforms, so much of the focus has been on making minting as cheap and as efficient as possible. This was an incredibly important factor in easing access to Web3, with the hopes that more people would be able to onboard with comfort. »
It’s exciting to see how our research project, LAN Party, continues to grow and evolve—and the pipeline ahead has us buzzing. Grateful for the journey so far and everything that’s yet to come. 🥹⚡️🤘🏼
TYSM @rileybeans 🤘🏼⚡️
#onchain #eth #writer #blockchain #digitalart
gm frens 🥹👾
Even the N64 needs a lil warmth in this chill weather.
